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La élite del vino mundial debate en WINECREATOR (Ronda) ? Por primera vez, la prensa internacional más influyente y los autores de vino más destacados del momento debatieron sobre la calidad y diversidad del vino en el mundo. ? Casi 200 congresistas fueron testigos exclusivos de este Primer Encuentro Internacional de Autores de Vino, un evento único y diferente, ideado por La Melonera, proyecto vitivinícola de Ronda. ? Su Alteza Real, el Príncipe Michael de Kent, fue invitado de honor y encargado de inaugurar este I Encuentro. Ronda, Málaga, 2008
Mahakali is an Indian goddess, the feminized version of Mahakala or Death. Often considered a destroyer goddess in the Hindu tradition and a greater form of the goddess K?l?, Mahakali is often depicted as a sort of warrior mother fighting against hostile forces. She is the Mother Divine.
Perhaps post-punk vocalist Jarboe is another sort of destroyer goddess. After 14 years in front of musical pioneers Swans, her solo career has twisted and turned down darkened hallways and attractive mountaintops with little consideration given to how things appear or how things seem. Instead, Jarboe?s consideration was entirely focused on The Real.
From a milieu of diversity, including snake-handling rituals in the Mississippi delta as a little one and parents who served in the FBI, Jarboe sprang out with a folklore all her own. As she grew into an artist, her ideals of connectivity and united experience never wavered.
Coming after the release of her intense collaboration with Jesu?s Justin K. Broadrick on J2, Jarboe?s MahaKali is an epic journey built around themes of power, restraint, control, and destruction.
Jarboe?s penchant for using her voice to embody various characters bleeds life all over MahaKali. This is less a concept album and more an experience album, leading the listener along a path less traveled. With many similar records, the path less traveled is less traveled for a reason. Such is not the case here, as the versatile vocalist has assembled a collection of tracks of inconceivable importance and significance.
The journey of MahaKali swirls and winds through fabrics of metal, noise, ambience, and orchestral arrangements. By enlisting the likes of Philip Anselmo of Pantera and Attila Csihar of Mayhem, Jarboe?s collective of instrumentalists and power players extends its depth and range considerably. The resulting squall is ferocious yet elegant.
?MahaKali, of terrifying countenance? introduces us to the squall with large textures of sound, unfolding with simple keys over a foggy surface. It is serene, yet something doubtlessly lurks below the water willing to suck us in for all we?re worth. Such is the mystique of Jarboe: there is always something more. As she unleashes her eclectic vocals on the track, the surface gives way to something paranormal, something intoxicating. Info stolen from; blogcritics.org
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
I've thought long and hard about this one, but it's time to shut up shop here at The Wine Chicks.
As you all know, I simply don't have the time any longer to post stuff - that's been more than obvious. I also have been focusing so much on certain wines that I rarely taste outside of my own portfolio. And the last thing I want to do is make this site an extension of my day job. I've wanted to keep this open but since I'm pressed for time, I too often just post about a tasting/wine dinner/IPO wine with which I was involved. The quality of my writing has certain suffered and I don't want to keep posting crappy blips just for the sake of posting crappy blips.
So, let's ring in a Chick-free New Year! Who knows? Maybe I'll resurface elsewhere in the not-too-distant future...
The New Orleans favorite Sazerac is considered by some to be the first cocktail ever invented. The original was made with cognac and absinthe, and the modern version is usually made with rye whiskey and Herbsaint, an absinthe substitute produced in the US.
I balanced tradition and personal preference with my application of this recipe. I used two shots of Sazerac Rye and three dashes of Peychaud's Bitters (both now made in Kentucky), along with a few drops of French Pastis Henri Bardouin and a bit of sugar to sweeten it all. I felt the pastis substitution would provide the necessary anise/herbal kick. (I've had real German and Czech absinthe; I still prefer pastis.) Everything was stirred together in a chilled tumbler, and a slice of lemon peel was tossed in for garnish (not pictured).
Rye is a little more peppery and spicy than normal whiskey, and Peychaud's Bitters are closer to cherry cough syrup than Angostura Bitters. While all of this sounds a little strange, the cocktail really did come together well. I felt it worked better with a couple of ice cubes in it, and that allowed you to savor it properly over a half hour.
Japan has given many things to the world that I cherish, but few of them have an unofficial holiday that gives me the excuse to celebrate them. But every October first, along with sake lovers all over Japan and around the world, I get to observe Nihonshu no Hi, also known as Sake Day.
Like wine, no one knows exactly when sake first made an appearance. In a similar fashion to grape wine, the knowledge that fermented rice eventually yields an alcoholic beverage was probably discovered in accidental and then later deliberate stages, as innovative and curious folks explored ways of getting drunk.
Sake production and demand is likely to have peaked in Japan the mid 19th century when a law was passed allowing anyone to become a brewer. As many as 30,000 breweries were opened in the year of the law's passing, though that number dwindled as taxes on sake and its raw materials increased through the end of the century.
Despite ups and downs, and not being anywhere near its 19th century production levels, sake is seeing a bit of a renaissance around the world, and that is worth celebrating for any sake lover, at least as much as the stuff itself. More and more excellent sake is leaving Japan and making its way abroad.
All of which means that on October first, you'll not only have something to celebrate but, some really good stuff to celebrate with, should you care to partake in the 3rd Annual Sake day celebration put on by San Francisco's own True Sake store, and Sozai restaurant.
This is not the largest of tastings, but public sake events are so rare, that I am obligated to make not of it for those of my readers who are sake lovers or who are interested in learning more about it.
Held at Fort Mason, Sake Day is an opportunity to taste an assortment of sake, eat some good Japanese food, and listen to a little music in a casual atmosphere. Various tasting stations will be set up that will allow attendees to compare different styles of sake, blind taste some varieties, as well as explore flaws like heat damage.
If you're looking for a way to learn about sake, you'd be hard pressed to find a better occasion to experience a number of them than this little event.
Sake Day Celebration Wednesday, October 1 6:00 PM to 9:00 PM The Golden Gate Room Fort Mason Center San Francisco, CA (map)
Tickets are $85, which gets you a complimentary tasting glass, five different sake friendly dishes, free run of the tasting, and entry into various raffles and prize drawings. Tickets should be purchased in advance online, as the event may sell out.
Okay, it was actually a few days before Valentine?s. But clearly our uncharacteristically small group of Vancouver American Wine Society members who had gathered to compare a horizontal flight of ten 2002 Zinfandels were jumping into the spirit of romance.
Here they come in the order we tasted, and although it would be fun, we can take no credit for the final ?heartfelt? evaluations of the ten offerings ? each was delivered from an appointed, if sometimes reluctant, spokesperson at a different table.
Wine #1: Paso Robles Westside from Peachy Canyon Winery Thin, weak, and presenting surprisingly little fruit either on the nose or the palate. This wine is like a ghostly and somewhat disappointing lover. Neat tasting room though as seen at the right.
Wine #2: Alexander Valley Todd Brothers Ranch from Dashe Cellars Made with 4% Petit Syrah, the general consensus was that this wine was approaching ? or perhaps even past ? its prime. Tannins were still a bit coarse, and there was definite sediment. This wine was ranked as a dark and sultry, if a bit over the top lover. Wine #3: Sonoma Valley Rhinefarm Vineyard from Gundlach Bundschu Winery Softer and with a better balance than the previous one, most people agreed this wine showed coffee, chocolate, and mint overtones. The finish was longer, smoother like a well-oiled lover ? apparently appealing as this wine was ranked Number One of the evening.
Wine #4: Amador County Grandpere from Renwood Winery Made from old vines though from a newer winery (shown right), this wine was deemed somewhat austere. Oak on the nose but light in fruit, this wine ? according to the table?s spokesperson ? would not be finding its way onto her table nor into her bedroom even on Valentine?s Day.
Wine #5: Dry Creek Valley from Chateau Souverain Not offensive, merely flat and faded from time with not enough fruit remaining to be worth mentioning. This wine is one lover who simply doesn?t deliver ? even after midnight.
Wine #6: Dry Creek Valley from Foppiano Vineyards Although we knew this vineyard specializes in ?affordable,? this vintage was rather like stuffing your face full of penny candy in the general store. A fickle lover ? even on a one night stand, first he thought he loved her, then he didn?t, then he did.
Wine #7: Napa Valley from Napa Wine Company Like a chameleon, this wine exhibited the most dramatic amount of change of any poured this evening and garnered second favourite in the process. On the palate cedar, tobacco, and barnyard. In bed, an almost schizoid lover ? but definitely one you?d happily suggest a roll in the hay with.
Wine #8: Napa Valley Old Vines from Fife Vineyards Simple and somewhat nondescript but still comfortable, this wine is from old vines. Good for mindless quaffing on an open-air patio. A lover wearing nothing but flannel pajamas.
Wine #9: Napa Valley from Ravenswood Winery Although this wine didn?t open as much as many of us had expected, it was ?no wimpy wine.? Brawny and well structured, a few people found a hint of cream soda. This one is a somewhat reticent lover but definitely well built lover ? perhaps even a redhead. (Note: these guys have a really fun website and a terrific sense of humour. Here?s an excerpt: At Ravenswood, there?s no pinkie raising, Brie eating, wine spitting wimpiness. Oh no. At the home of No Wimpy Wines, you?ll get to taste mind blowing zinfandel, witty conversation with our behind-the-bar staff and, if you so choose, private or group tours of the winery aka Zinfomania Central.)
Wine #10: Napa Valley from Rutherford Ranch Controversy swirled around this wine as it became clear there was an almost unbelievable amount of bottle variation between each of the three that were poured. Some felt theirs was corked, others said ?no, it?s just the style.? Was it a Madame wearing pancake make up and a feather boa or a great lover who hadn?t showered for a week? Few could agree.
The Saleschick of the Year Award has been awarded to me.
And here's why: At a tasting in a southern suburb of Buffalo yesterday, I sold over a case of a 2005 Altesse.
You read right: Altesse.
I began each pour with the caveat of "I have to warn you, this is a weird one.." I went on to describe the odd almond/cheese/metallic notes that make it a partner for fondue and therefore gravy. I know, the two have NOTHING in common, but it worked, and I honestly do think it would pair well. One woman even bought four bottles, putting back the Chardonnay she was going to serve at Thanksgiving.
In a search for a photo of Altesse to go with this blurb, I re-found one of my favorite sites: The Wine Info Site. In addition to having photos of some supremely esoteric varietals (y'all can find those Hungarian grapes there, if you guys are reading this!), The Wine Info Site is apparently out of The Netherlands and the English translations are sometimes hilarious. Case in point: Altesse is a full-bodied grape variety with plenty of taste, for white wine. It is grown in the Savoie, France. This grape is also called Roussette and produces strong wines with a pleasant dosis of acidity and a herbal taste with a touch of mineral.
I do totally agree about the herbal taste with minerality, but what the schmeck is a 'dosis'? Is that the Latin plural of 'dose'? And I adore that Altesse has plenty of taste "for white wine."
When people find out that I enjoy cheap wine enough to devote a website to it, they usually ask me if I have been to Trader Joe’s. My response, until last week, has always been “No, not yet”.
Well, I finally caved and took a trip to Detroit, the nearest Trader Joe’s location for me here in Lansing. Ann Arbor might actually be closer, but as an MSU Spartan, I try to stay out of there.
I’d like to preface this review of Charles Shaw Cabernet with a synopsis of Trader Joe’s. If you have one near you, go there. If not for the wine, then for the thousands of food items that pack the small market. I spent 80 dollars, which sounds like a bit much especially for me. I ended up leaving with 2 cases of wine and enough food for a week. Fresh mozzarella, fresh gnocchi, fresh salsa (notice a pattern?), Guacamole chips, Trader Joe’s Marinara, soups, veggies…. I was in heaven. They have got all kinds of cheeses, breads, meats, micro-brewed beers, and their wine selection was out of this world. What a great store!
Trader Joe’s is the exclusive retailer of Charles Shaw Wines, better known to most as “Two-buck Chuck”. In California these wines sell for $1.99, which is just amazing. Here in Michigan, though, the price was $2.99.
Did we like it? Was it worth the trip?
Hell yes it was! For 3 dollars, I don’t think it could have been any better. The Cabernet was great. At first, I found it to be a little sweet, but looking back, I was actually enjoying the salsa with the wine, which probably wasn’t a great combination. Along with the Cab, I also purchased some of the Shiraz, Merlot, and Chardonnay (reviews coming soon).
Congrats to Two-Buck-Chuck and Trader Joe’s for achieving the highest rating available here on Cheap Wine Reviews. Hats off to you!
Rating: 10/10 Price: $2.99 Place of PurchaseTrader Joe’s
Posted by 1 October 31: We 1 yesterday, just a few hours ahead of a rainstorm in the Paso Robles area. We'd originally scheduled the pick for today, but once we saw the forecast change, we moved the pick up one day. I'm really glad we did! When we got back to the winery on Thursday, we decided to wait to process the fruit on Friday.
Recently, at a dinner with friends, one man's date turned to me and complained, "He's so boring. All he ever talks about is wine. All day long he talks about wine." I probably looked hurt, because I was just as engrossed in our discussion of Syrah as he was. Lorraine leaned toward me and whispered, "She's right, you know. We're all hopeless wine geeks. Look at us from an outsider's point of view."
'An onsite accident occurred at Wirra Wirra yesterday following the collapse of a fermenting tower at our winery in McLaren Vale. A number of fermenters, tanks and a presses have been damaged, resulting in some loss to our 2008 vintage.
'We are currently working closely with the authorities and SafeWork SA to assess the full extent of the damage.
'We’d like to extend our thanks to all the emergency services whose quick action and professionalism were outstanding. Our thoughts are with our young cellar hand who is currently in a serious, yet stable condition at Flinders Medical Centre. We are pleased to hear that he is making positive progress.
'While it is difficult to determine at this time the full extent of wine lost, it is significantly less than has been reported. Some of the wine in tank may still be salvageable, while offers of fruit from growers to offset the loss have been coming in thick and fast. Whilst the loss of wine is important to our business, clearly the safety and welfare of our staff is of greatest priority at this time.
'Workplace safety for all our staff is of paramount importance at Wirra Wirra, and we are thankful no more serious injuries were sustained.
'We’d also like to extend our thanks to the winemaking community of McLaren Vale and our neighbouring districts who have rallied round with offers of help and well wishes; we have been extremely touched by their support and generosity.
Trott produced the first vintage of Church Block back in 1972 “with a little help from his friends”. It looks like history will repeat itself in 2008.'
BREAKING NEWS: 3.13PM AEST March 6 2008
McLaren Vale winery, Wirra Wirra, earlier today suffered considerable damage to its winery when a number of 45,000 litre fermenters collapsed, causing damage to some tanks and presses, and a significant loss of vintage 2008 must and wine.
One cellar hand sustained minor injuries, however no serious injuries have been reported.
The winery has temporarily been shut down, and staff are working with officials to ascertain the full extent of the damage.
Wirra Wirra is unable to determine when the winery will be up and running again.
Domaine Weinbach Schlossberg Grand Cru Cuvee St.Catherine Riesling 2004 (375mL) Peaches, pears, orange peel and marmalade on the nose. A rich, viscous and weighty palate with excellent texture and length. Bold, but balanced. 92/100
Domaine Fourrier Les Goulots 1er Gevery-Chambertin 2003 A nose of red berries, candy, violets, chocolate and cinnamon. Touch of stalk to the medium bodied palate. Decent length and structure. Nice. 88/100
P&C Bonnefond Cote Rotie 2001 Licorice, dark chocolate, raspberry and coffee aromas. A juicy, ripe palate with the elements of the wine well integrated. Very good. 90/100
Taylors Vintage Port 1977 (375mL) Vanilla, jasmine tea, licorice and cedar. Palate is smooth and of medium length, but doesn’t have the complexity or depth I expected. A bit of a let down as it is meant to be amazing. 88/100
Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist.
I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen.
James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order.
Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses.
The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all.
In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars.
Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined so intimately it?s as if they are one.
2005 Ponzi Pinot Noir The 2005 Pinot Noir Willamette Valley offers toasty cherry and strawberry aromas leading to a medium-bodied, structured wine with spicy flavors and a slightly tannic finish. Drink this tasty Pinot Noir over the next 4-6 years. Ponzi Vineyards began in 1974 making them one of Oregon?s pioneers. Dick and Nancy Ponzi, the founders, remain very much involved although winemaking duties were turned over to daughter Luisa in 1993. In addition to remaining a reference point for Oregon Pinot Noir, the winery fashions excellent wines from Italian varietals including Arneis and Dolcetto in honor of their heritage. Not yet released. Tel. (503) 628-1227; www.ponziwines.com Rating: 89 Estimated Cost: $29-$40
Sometimes the deals are all about knowing what’s right next door, and sometimes it’s worth asking, “Yeah, but does she have a sister?” Viognier’s Pretty Stepsisters in this issue of the Seattle Weekly I feel bad that there wasn’t room to talk about their BFF, Bourblanc.
I helped out at a trade event in London devoted to Sauternes and Barsac the other week. Entitled ?Sweeties with Savouries? it set out to show how both Sauternes and Barsac can be drunk not only with the usual foie gras and desserts but also with all the courses of a complete meal. With courses ranging from roquefort crème brulee with figs (see picture) through roast Moroccan quail with sweet potato mash to blue cheese cheesecake, the food was absolutely wonderful. Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.
Tasting through the 16 wines was an education in itself. Considering they were all the recently bottled 2005 vintage, there was a range of aromas from honey, peach, minerals and smoke to flavours on the palate of marmalade, peach, citrus and honey. There were also subtle but significant differences in the weight and texture on the palate. The differences can be understood when looking at the percentages of grapes with everything from 90% semillon and 10% sauvignon of the premier cru classe Chateau Clos Haut-Peyraguey through to the 70% semillon, 25% sauvignon and 5% muscadelle of Chateau d’Armajan des Ormes. The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.
The key to good Sauternes and Barsac, apart from the terrroir, is the botrytis that is required to shrivel up the grapes and concentrate the sugar in the grapes. From talking to several of the producers the 2007 vintage was going to be a worry as the summer was cool. However the autumn was as hoped with cool misty mornings followed by sunny afternoons, the perfect environment for the ?mushroom? spores of botrytis cinerea to develop.
There is a much history associated with the ownership of the chateau in Sauternes with many of them having been in the same family for generations. Check out the web site of Chateau Dudon if you want some history of a typical family owned Sauternes producing chateau.
Celebrate Wine is pleased to be a part of a new wine-writing project called "Drink Local Wine." The site brings together wine journalists, sommeliers, bloggers, and other wine enthusiasts from 16 "non-west coast" states and Canada. The goal is to enforce the reality that North American wine is not just about California, Oregon, and Washington anymore.
At "Drink Local Wine," you'll find information about wines from Illinois, Maryland, Georgia, and Wisconsin...and, of course, my home state, Ohio. Be sure to take a look.
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And apparently, Yulia is the Upset Queen. She's adept at bringing $7 bottles that end up winning blind tastings. Either that or we all have cheap tastes... not quite sure.
So last night was the Mourvedre/Monastrell showdown. And honestly, it was pretty disappointing. We blind tasted 5 wines and none of them were particularly stellar. As per my normal accuracy, I guessed 3 out of 5. I knew we had 2 cheap Spanish, 1 pricier Spanish, Cline's Ancient Vines, and Thomas Coyne. I did not know the vintage of any of them.
Wine #1: Blackberry/blueberry nose, with a touch of herbs. A bit of funk wafting through. Tight tannins. Thin fruit, but very ripe. Smoke on the finish. I guessed it was a cheap Spanish from 05. I gave it 2.5 out of 4 stars.
Wine #2: Smells exactly like sweet boysenberry pancake syrup from IHOP. Blast of fruit on the opening palate and then... nothing. Kind of gross, really. I guessed another cheap Spanish from 05. I gave it 1 star.
Wine #3: Much lighter in color (the previous two were densely purple-red). White chocolate and sweet cinnamon on the nose with blackberry/raspberry fruit. Same fruit on palate with spicy-herbal finish (sage, thyme, cinnamon). Lingering cocoa. I guessed a CA from 05, and I figured it was Cline. I gave it 2.75 stars.
Wine #4: Ripe blackberry, some astrigency on the nose - kinda like band-aids. Also lighter in color than the first two, more red than purply. Cassis fruit, smoke and lots of herbs. Lingering tea. I guessed a CA from 03 or 04 based on color and herbality. I guessed it as Thomas Coyne and gave it 3.25 stars.
Wine #5: Smelled just like... dish soap? Seriously. Or cheap rose perfume. Sweet raspberry also present. On the palate, pretty tasty mulberry fruit with mint and thyme. I guessed it as the pricier Spanish and placed it as an 05. I gave it 3 stars.
So, it turned out that:
#1- Cambra's 03 Uno! Shit, we all got that one wrong. And quite frankly, it is NOT worth the price.
#2- Chonchelo 06 - Cheap Spanish, indeed. We just poured this straight down the sink.
#3- Cline 05 Ancient Vines Mourvedre - Got it right, but it's not as good as I recall. Much lighter and much leaner on herbs.
#4- Thomas Coyne 04 Mourvedre - Pretty good stuff. I'd feel ok about recommending this.
#5- Finca Luzon Verde 06 Monastrell- And with that, Yulia's cheap Spanish trumps us all. This is a great bargain.
I had an excellent California Pinot Noir last week at 1 restaurant in West Hollywood on the recommendation of the sommelier, Rory Harrington. The 2005 Ambullneo Vineyards Pinot Noir Santa Maria Valley was rich and luscious, with loads of ripe strawberry, light earth character and hints of smoky oak.
Anselme Selosse believes the magic of Champagne takes place deep underneath the region?s chalky soil, where the vines take hold of what he calls the essence of the earth.
When I first saw this link, I didn?t quite understand what they were talking about. But, never fear my friends, I did the research and am now perfectly prepared to tell you about the Dutty Wine Dance.
There is a Jamaican rapper who wrote a song entitled ?Dutty Wine?. To the best that I can decipher dutty should translate to dirty. The basis of the song is that he is poor and can only afford dutty wine that gets him very?.um?inebriated. Apparently it also gets the women he is with very drunk as well and this is the dance they do for him while drinking it.
The middle class is in an uproar. All their little girls are doing the 'Dutty Wine'. From left, right and centre, even disabled children, everybody is doing the 'Dutty Wine'.
Tecnorati
Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.
The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.